This time Menomena take aim for the heart as well as the head.
Menomena are a tricky proposition. With three albums already under the Portland three-piece’s collective belt, their music is still mislabelled as often as their name is mispronounced (it rhymes with “phenomena”). Although nominally covered by the nebulous indie tag, Menomena’s sound often encompasses progressive rock, freeform jazz and ambient electronica in a single stride. The band’s democratic songwriting process, in which all members contribute and share vocal duties, is kept in check using Deeler, a software programme developed by Menomenite Brent Knopf to allow members to pick and choose individual parts within a defined time signature. Welcome to 21st century jamming.
2007’s much-lauded Friend and Foe introduced a wider audience to Menomena’s sonic experiments, but while the album was a masterclass in musicianship and arrangement, its dense reams of sound tended to appeal more to the head than to the heart. Although fourth album Mines, released this three years after its predecessor, retains Menomena’s trademark virtuosity in production, here the band’s complex, monolithic sonic structures are supported by a consistent emotional foundation that elevates the songs to new heights.
Lees de rest van deze review op BBC CD recensies (Engels)
Bron: BBC Music