Orchestral Manoeuvres in the Dark - History of Modern

  • Orchestral Manoeuvres in the Dark - History of Modern

    Orchestral Manoeuvres in the Dark - History of ModernA few highs aside, this is a poor return from the 80s hit-makers.

    In the late 70s OMD were early synthesizer adopters and pop musicians with a serious avant-garde bent, who were looking to Kraftwerk and Harmonia for inspiration before most people had even got to grips with punk. This combined with a warm-hearted, Liverpudlian melodic sensibility saw them turn out four great albums, two of which (Architecture & Morality and Dazzle Ships) were touched with genius. Like other bands to emerge from the post-punk era, such as Simple Minds, they came to a perceived crossroads and elected to take the route marked Top of the Pops, not realising – and why would they? – just how much the acid house revolution was going to change the future of electronic music. And, like Simple Minds, this fateful course change was taken after their inclusion on a John Hughes movie soundtrack.

     

    Their first studio album in 14 years, and 11th overall, starts off with New Babies: New Toys which tries to place them back at this point, given that it sounds like a slightly electro-punk take on 1986’s If You Leave, the theme song to Pretty in Pink. What follows is, to put it politely, pretty much awful. The Future, The Past, and Forever After, from its unnecessary Oxford coma onwards, is just plain unacceptable. It’s obviously supposed to be a hymn to modernism which declares that the future is unstoppable, like an arrow or speeding train "on wheels of steel". Fair enough, but despite playing their ace card (dressing Kraftwerk up in smart new clothes and sending them down the disco) they fall flat on their faces. The electronically synthesised Doppler effect of cars rushing along the autobahn alone would have sounded cheesy in 1982. This album does nothing to alter the notion that OMD have only travelled in the wrong direction since Dazzle Ships and, post Atomic Kitten, Andy McCluskey’s songwriting ability seems to have slipped down to the standard of My Lovely Horse from Father Ted.

    Lees de rest van deze review op BBC CD recensies (Engels)

    Bron: BBC Music
  • Plaatser:Reino
  • Datum:07-09-2010
  • Laatst gewijzigd op:07-09-2010
  • Label:Blue Noise
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