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Skittering electro that is by turns incredibly beautiful and beguilingly intricate.
You briefly turn your back on a scene and everything changes. Dubstep was (seemingly) pegged until 2010 albums from the likes of Skream and Rusko made it clear that the once-gloomy genre had taken substantial steps towards an accessible, mainstream-friendly sound since Burial got a few bookies sweating with his 2008 Mercury nomination. Chillwave now covers a slew of bedroom-based individuals, purveyors of luscious layers and fuzzy atmospherics – see, in particular, Washed Out and Neon Indian. But Baths, aka Los Angeles resident Will Wiesenfeld, has gone and tinkered somewhat with the tried-and-tested formula, and now we have a record that’s got a foot in two slightly different stylistic camps.