A work of engrossingly fraught atmospheres, and proof that Davis was still relevant.
Jazz’s most famous son is given godly status for his work in the 50s – as in Kind of Blue – and the 70s – as in Bitches Brew. The 80s remains a dubious period of his discography. Tutu casts doubt on that received wisdom. Although it is still dismissed by many as ‘lightweight’ or, worse still, ‘pop-fusion’, the album, whose striking monochrome sleeve stylized the trumpeter’s austere, sculptural, late-years beauty, had something that captured the imagination of many outside of the world of jazz.